Do Spectacular Conditions Make Landscape Photography Easier?

Into the Sun at Start Point

One of the reasons yr.no is my favourite weather forecast website is the fact that it splits cloud coverage into low, medium and high levels. I’m always on the lookout for a bit of high-level cloud combined with little medium and low-level cloud. It’s generally the high-level cloud that catches the light from the rising or setting sun giving us those lovely pink skies that we sometimes crave.

Start Point in all its glory.

It was those very conditions that were predicted for Start Point on the South Devon coast one morning recently. I was not only looking to do a little coastal photography, but I was also keen to return to Start Point, so with a positive forecast for the morning I was (for once) sure that it would be the place to be.

My only slight concern was the position of the rising sun. At this time of year I would almost certainly be shooting straight into the sun. There’s nothing wrong with shooting into the sun, and plenty of people make an excellent job of it, but I’ve never really got to grips with it. A quick scan through my Lightroom catalogue of my previous images from Start Point reminded me that I could also shoot the lighthouse further down the coast towards the west. This would not only give me something a bit different from the normal shots that I take there, but it would also mean the sun would rise from the side instead of straight on.

Decisions, Decisions!

My regular viewpoint of Start Point, Feb 2019.

It’s at least a 75-minute drive to Start Point for me, and given that I like to be on location at least 1 hour before sunrise, I had to get up really early. As I got into the car and it was still 2 hours before sunrise, I could see a bit of high-level cloud in the sky. Those big long patches of cloud that catch the light. I was beginning to get really excited about the morning.

My alternative viewpoint further along the coast, Feb 2017.

When I arrived at Start Point things were still looking positive. A little too much blue sky, but there were some great patches of high-level cloud. I grabbed my bag and started walking. I did however have a bit of a dilemma on my hands. If I were to locate myself further down the coast to get the peninsula from the side, there wouldn’t be any of the high-level clouds in the shot. If I went to my regular position I would be shooting into the sun but I could include the high-level cloud in the shot (which was already pinking up nicely).

I decided to head down the coast and just check what the side shot would look like. When I got there I was correct with my assessment in that I just had a clear sky. The question was should I wait there to see if the cloud would move, and move in the right direction, or should I head back to my normal viewpoint. That high-level cloud really had some nice colour to it so I decided to head to my normal spot.

Sunrise

As I stood in my favourite spot I watched the sky and clouds change colour as sunrise approached and passed. While it wasn’t the most amazing sunrise I’d ever seen it was still really nice. Having experienced so many dull mornings recently this was a most welcome change and photography aside, I couldn’t think of a better way to experience the start of a new day.

Despite the very favourable conditions, I have to admit I struggled a little with my photography. I’m not sure if it was the thought that I should have been at the other spot (as the cloud had indeed moved into a good position) or that I was feeling a little uninspired, or even that I was finding it tricky shooting into the sun. Sometimes things just don’t click. Despite the good conditions I wasn’t finding the photography easy.

A Glorious Morning at Start Point, South Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/16, 15 secs at ISO 64, Kase Filters K9, CPL, ND Grad and 6 Stop ND.

Image Review

This was the best image of the morning, and despite it being better than I thought it would turn out, there is something that I don’t like about it. I’m not sure if it’s the composition, the tones or some combination of factors. Some times it's difficult to put your finger on these things so I’ve decided to do the best thing you can do when you want to learn from your own photography and that is to make a print.

Learn from your photography by making a print.

Learn from your photography by making a print.

If I make a print of the image and leave it sitting around my desk I will spend more time looking at it. Hopefully by spending more time with the image, and in a printed form, I will learn what I don’t like about the image, what I need to change (in the composition or post-processing) or even that I do indeed like the image. For me, making the print is one of the best ways to improve your photography.

Whatever I ultimately end up feeling about this image, one thing I have learned is that spectacular conditions don’t always make landscape photography easier!